Seeing Educational Practice through a Continental Lens

Thompson River University
Course outline EDEF 320; Fall 2007
Dr. Tone Saevi / Dr. Norm Friesen / Dr. Diane Purvey

Tone Saevi

Diane Purvey

Norm Friesen

Room: OL 248
Phone: 852-6369
Email: ts@nla.no

Office Hours: Thurs: 11:00 - 1:00 and by appointment (use e-mail)

Room: AE 385
Phone: 371-5526
Email: dpurvey@tru.ca

Wed 11:30-12:30; Th. 11:00- 1:00; Fr. 10:30-11:30 and by appointment (use e-mail)

Room: OL 248
Phone: 852-6256
Email: dpurvey@tru.ca

Thursday: 11:00 - 1:00

Based in part on: Klaus Mollenhauer (1983). Forgotten Connections. About Culture and Education. (Vergessene Zusammenhänge: Über Kultur und Erziehung)

Description:
This course represents an exploration of some of the myriad cultural aspects of education and development. It examines this dimension of education by using a series of questions that have been posed in the context of the continental (European) tradition in education. It explores these questions through the use of films, fictional texts, images and other resources rich in cultural and historical significance. In this way, the course seeks to develop understandings of education as everyday and broadly cultural practice. In this sense, education is something that occurs through the way that adults, simply in their everyday habits and activities, present developmental possibilities and also limitations to children. This "presentation" occurs in ways that are often unspoken and un-reflected. In this context, education or pedagogy is understood as the question of how to understand these pedagogical processes, and how to make them a meaningful part of the relationship between the teacher and the child. This way of understanding education gives emphasis to a range of issues, with five of these issues being at the centre of this course:

  1. Why do we want to have children?
  2. What way of life do I present to children by living with them?
  3. What way of life ought to be systematically presented to children?
  4. How can I help children / young persons to become self-starters and support their progress?
  5. Who am I? Who do I want to be, and how to I help others with their identity problems?

Schedule:

The table, below, shows how these questions will be addressed over the course of the semester, and how they will be linked to the course readings and assignments, and to films to be viewed in class.
NOTE: In addition to the resources listed in the table below, this course will also make reference to short explanations and excerpts that have been gathered together on this Website: http://elearn.tru.ca/index.php/Forgotten_Connections

Week

Theme

Theoretical Text

Art: Film / Fiction / Painting / Passages

Portfolio work

Sept. 14

Why do we want to have children?

 

My Life as a Dog. Sweden 1985. Lasse Hallstrøm
Introductory text

Begin Portfolio 1

 

Sept. 21
Sept. 28

What are Education / Pedagogy/ Bildung?
The child’s perspective.

Van Manen, M. (1991). The Tact of Teaching. Ontario: The Althouse Press. Chapter 1,2,3. (64 pages; PDF 3.5 Mb)

SHORT STORY: Jurij Nagibin (1986). Winter Oak. In: The Peak of Success and Other Stories. Pp. 35 - 44.  (9 pages) PDF 1.8 Mb 
Various short passages

 

Oct. 5

What way of life do I present to children by living with them?

Bollnow, O.F. (1968/1989). “The Pedagogical Atmosphere.” In: Phenomenology and Pedagogy Vol.9. (40 pages HTML)

Kolya. Tsjekkia 1989. Jan Sverak  (CLIP)
NOVEL: Sue Monk Kidd (2003). The Secret Life of Bees (302 pages; bookstore) 
Various short passages

Portfolio 1 due.
Begin Portfolio 2

Oct. 12

The significance of the pedagogical relation between adult and child

 

CHAPTER FROM NOVEL: A. De Saint-Exupery 2000 The Little Prince (chapter 21) (6 pages).

 

Oct. 19

What way of life ought to be systematically presented to children?

 

To Be and to Have.  (CLIP)
France 2002.
Nicolas Philibert
Various short passages

Portfolio 2 due. Begin Portfolio 3

Oct. 26

Adults’ actions – are they always pedagogical? Why – Why not?

Pedagogy as alternative practice

Comenius, J.A (1592-1670). The labyrinth of the world and the paradise of the heart (1998). Translated and introduced by H. Louthan and A. Sterk. Pp. 55 – 78. (22 pages; PDF 1.5 Mb). 

NOVEL: Chaim Potok The Chosen  (1996) (first half of the book)
(140 pages; bookstore)

 

Nov. 2

What happens when a child starts to develop him/herself as a person?

 

The Wild Child. France 1969. (CLIP1; CLIP2) Truffaut PAINTINGS: San Apollinare / Donatello / Ghirlandajo
Various short passages

Portfolio 3 due
Begin work on portfolio 4

Nov. 9

How can I help children / young persons to become self-starters and support their   progress?

Pestalozzi, J. H. (1746-1827). Letter from Pestalozzi to a friend on his work at Stanz. In de Guimps (1908). Pestalozzi – his life and work. London: Swan Sonnenschein & Co LIM. Pp149-172. HTML

Good Will Hunting. USA 1997. Gus van Sant    (CLIP1; CLIP2)
NOVEL: Chaim Potok  The Chosen 1996 (second half of the book) (140 pages).
Various short passages

 

Nov. 16

Adults’ intention – what is the pedagogical significance? 

Langeveld, M. (1975). Personal Help for Children Growing up. UK: University of Exeter. (10 pages HTML).

   

Nov. 23

Who am I? Who do I want to be, and how to I help others with their identity problems?

 

Wit. USA 2001. Mike Nichols
PAINTINGS: Self-portraits: Dürer / Rembrandt / van Gogh / Beckman

Portfolio 4 due.
Begin work on portfolio 5

Nov. 30

What are the questions that all adults dealing with children should reflect on?

van Manen (2002). Care as Worry. Or “Don’t Worry Be Happy”. In: Qualitative Health Research. Vol.12, No.2. pp. 264 – 280.  (16 pages). PDF 0.2 Mb

NOVEL: Patrick Süskind (2003). The story of Mr. Summer (100pages)

 

Dec. 7

SUMMING UP the course

* A couple of additional texts will be handed out during the course.

 

Portfolio 5 due.

Grading:

Your grade in this course will be based on your:

Participation (20%): You are expected to interact thoughtfully and sensitively in class and in discussions held in smaller groups.

Portfolios:

Throughout the course, generally at two week intervals, you will be expected to complete a short portfolio piece (approx. 3-4 pages).

E.G. Portfolio 1

My Life as a dog – the theme of the title: lostness (in space) cut off from nourishing relationships – abandoned. Perhaps this is how children might feel when they grow up without a pedagogical relationship?

Is Ingmar part of any pedagogical relationship?

… with his mother?
… with his father?
… with Eric, his older brother?
… with uncle Sandberg?
… with sick, old uncle Arvidsson?
… with old aunt Arvidsson?
… with Berit, the artist’s model?
… with aunt Ulla?
… with uncle Gunnar?

Why – why not?

To support your reflection read the following texts from the course:
Van Manen, M. (1991). The Tact of Teaching. Chapters 1, 2, 3
Jurij Nagibin (1986). Winter Oak
Sue Monk Kidd (2003). The Secret Life of Bees