Thompson River University
Course outline EDEF 320; Fall 2007
Dr. Tone Saevi / Dr. Norm Friesen / Dr. Diane Purvey
Tone Saevi |
Diane Purvey |
Norm Friesen |
Room: OL 248 Office Hours: Thurs: 11:00 - 1:00 and by appointment (use e-mail) |
Room: AE 385 Wed 11:30-12:30; Th. 11:00- 1:00; Fr. 10:30-11:30 and by appointment (use e-mail) |
Room: OL 248 Thursday: 11:00 - 1:00 |
Based in part on: Klaus Mollenhauer (1983).
Forgotten Connections. About
Culture and Education. (Vergessene Zusammenhänge: Über Kultur und Erziehung)
Description:
This course represents an exploration of some of the myriad cultural aspects of
education and development. It examines this dimension of education by using a
series of questions that have been posed in the context of the continental
(European) tradition in education. It explores these questions through the use
of films, fictional texts, images and other resources rich in cultural and
historical significance. In this way, the course seeks to develop understandings
of education as everyday and broadly cultural practice. In this sense, education
is something that occurs through the way that adults, simply in their
everyday habits and activities, present developmental possibilities and also
limitations to children. This "presentation" occurs in ways that are often
unspoken and un-reflected. In this context, education or pedagogy is understood
as the question of how to understand these pedagogical processes, and how
to make them a meaningful part of the relationship between the teacher and
the child. This way of understanding education gives emphasis to a range of
issues, with five of these issues being at the centre of this course:
Schedule:
The table, below, shows how these questions will be addressed over the course of
the semester, and how they will be linked to the course readings and
assignments, and to films to be viewed in class.
NOTE: In addition to the resources listed in the table below, this course will
also make reference to short explanations and excerpts that have been gathered
together on this Website:
http://elearn.tru.ca/index.php/Forgotten_Connections
Week |
Theme |
Theoretical Text |
Art: Film / Fiction / Painting / Passages |
Portfolio work |
Sept. 14 |
Why do we want to have children? |
My Life as a Dog.
Sweden 1985. Lasse Hallstrøm |
Begin Portfolio 1
|
|
Sept. 21 |
What
are Education / Pedagogy/ Bildung? |
Van Manen, M. (1991). The Tact of Teaching. Ontario: The Althouse Press. Chapter 1,2,3. (64 pages; PDF 3.5 Mb) |
SHORT STORY: Jurij Nagibin (1986). Winter Oak. In: The Peak of
Success and Other Stories. Pp. 35 - 44. (9 pages) PDF 1.8 Mb |
|
Oct. 5 |
What way of life do I present to children by living with them? |
Bollnow, O.F. (1968/1989). “The Pedagogical Atmosphere.” In: Phenomenology and Pedagogy Vol.9. (40 pages HTML) |
Kolya. Tsjekkia 1989. Jan Sverak
(CLIP) |
Portfolio 1 due. |
Oct. 12 |
The significance of the pedagogical relation between adult and child |
CHAPTER FROM NOVEL: A. De Saint-Exupery 2000 The Little Prince (chapter 21) (6 pages). |
||
Oct. 19 |
What way of life ought to be systematically presented to children? |
To
Be and to Have. (CLIP) |
Portfolio 2 due. Begin Portfolio 3 |
|
Oct. 26 |
Adults’ actions – are they always pedagogical? Why – Why not? Pedagogy as alternative practice |
Comenius, J.A (1592-1670). The labyrinth of the world and the paradise of the heart (1998). Translated and introduced by H. Louthan and A. Sterk. Pp. 55 – 78. (22 pages; PDF 1.5 Mb). |
NOVEL:
Chaim Potok The
Chosen (1996)
(first half of the book) |
|
Nov. 2 |
What happens when a child starts to develop him/herself as a person? |
The Wild Child.
France 1969. (CLIP1;
CLIP2) Truffaut
PAINTINGS: San Apollinare / Donatello /
Ghirlandajo |
Portfolio 3 due |
|
Nov. 9 |
How can I help children / young persons to become self-starters and support their progress? |
Pestalozzi, J. H. (1746-1827). Letter from Pestalozzi to a friend on his work at Stanz. In de Guimps (1908). Pestalozzi – his life and work. London: Swan Sonnenschein & Co LIM. Pp149-172. HTML |
Good Will Hunting.
USA 1997. Gus van Sant (CLIP1;
CLIP2) |
|
Nov. 16 |
Adults’ intention – what is the pedagogical significance? |
Langeveld, M. (1975). Personal Help for Children Growing up. UK: University of Exeter. (10 pages HTML). |
||
Nov. 23 |
Who am I? Who do I want to be, and how to I help others with their identity problems? |
Wit.
USA 2001. Mike Nichols |
Portfolio 4 due. |
|
Nov. 30 |
What are the questions that all adults dealing with children should reflect on? |
van Manen (2002). Care as Worry. Or “Don’t Worry Be Happy”. In: Qualitative Health Research. Vol.12, No.2. pp. 264 – 280. (16 pages). PDF 0.2 Mb |
NOVEL: Patrick Süskind (2003). The story of Mr. Summer (100pages) |
|
Dec. 7 |
SUMMING UP the course |
* A couple of additional texts will be handed out during the course. |
Portfolio 5 due. |
Grading:
Your grade in this course will be based on your:
Participation (20%): You are expected to interact thoughtfully and sensitively in class and in discussions held in smaller groups.
Portfolios:
Throughout the course, generally at two week intervals, you will be expected to complete a short portfolio piece (approx. 3-4 pages).
Rubric for grading portfolios:
18-20 |
assignment shows an unusually high level of engagement with the course materials, including a well-written, relevant reflection and thoughtful, imaginative responses to the guiding questions |
14-17 |
assignment goes beyond the basic requirements outlined in the syllabus in one or more respects; the reflection is clearly worded, thoughtful, and thought-provoking |
10-13 |
assignment meets basic requirements outlined in the syllabus; however, one or more of the parts is lacking |
1-9 |
does not meet basic requirements |
0 |
did not submit assignment |
E.G. Portfolio 1
My Life as a dog – the theme of the title: lostness (in space) cut off from nourishing relationships – abandoned. Perhaps this is how children might feel when they grow up without a pedagogical relationship?
Is Ingmar part of any pedagogical relationship?
… with his mother?
… with his father?
… with Eric, his older brother?
… with uncle Sandberg?
… with sick, old uncle Arvidsson?
… with old aunt Arvidsson?
… with Berit, the artist’s model?
… with aunt Ulla?
… with uncle Gunnar?
Why – why not?
To support your reflection read the following texts from the course:
Van Manen, M. (1991). The Tact of Teaching. Chapters 1, 2, 3
Jurij Nagibin (1986). Winter Oak
Sue Monk Kidd (2003). The Secret Life of Bees